The New York Times published an article on October 5, 2011, about how looking back on Moroccan art and other Arabic art from the last decade can show the unrest that the people have been feeling. The works of art leading up to the Arab Spring revolution are truly moving and full of meaning. These works of art from the 2000s are great predictors of what was to come in 2011. The article goes on to discuss the depictions of true emotions in these works of art and how they indicate the future of revolution.
The article focuses on the Marrakech Art Fair, held in September and October of last year in Morocco. At this fair, the work of Moroccan photographer, Hicham Benohoud, was featured prominently. Here is the photograph that the article is centered around:
Benohoud’s photography, along with the other works of art at the fair, capture the yearning and longing that Moroccans have been developing over the past decade. Benohoud features children tied to their surroundings in his works; he is representing the entrapment that Moroccans experience in their society.
Here is another photograph from the show, featuring a Moroccan man and woman filled with yearning. The Marrakech Art Fair was a great predictor and indicator of the revolution that followed.